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| #21684 - 16/10/2016 23:53  Re: Mellemrummet
[Re: RoseMarie] |  
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|   veteran
 | Registeret:  04/04/2008 Indlæg: 3512
 |  |  
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Her en af de smukke fra herren med pennen, der i øjeblikket burde sidde på en lyserød sky med sin Caitlin og synge: whack for my daddy, oh…there’s whiskey in the Jar:   
 FERN HILL
 
 Now as I was young and easy under the apple boughs
 About the lilting house and happy as the grass was green,
 The night above the dingle starry,
 Time let me hail and climb
 Golden in the heydays of his eyes,
 And honoured among wagons I was prince of the apple towns
 And once below a time I lordly had the trees and leaves
 Trail with daisies and barley
 Down the rivers of the windfall light.
 
 And as I was green and carefree, famous among the barns
 About the happy yard and singing as the farm was home,
 In the sun that is young once only,
 Time let me play and be
 Golden in the mercy of his means,
 And green and golden I was huntsman and herdsman, the
 calves
 Sang to my horn, the foxes on the hills barked clear and cold,
 And the sabbath rang slowly
 In the pebbles of the holy streams.
 
 All the sun long it was running, it was lovely, the hay
 Fields high as the house, the tunes from the chimneys, it
 was air
 And playing, lovely and watery
 And fire green as grass.
 And nightly under the simple stars
 As I rode to sleep the owls were bearing the farm away,
 All the moon long I heard, blessed among stables, the night-
 jars
 Flying with the ricks, and the horses
 Flashing into the dark.
 
 And then to awake, and the farm, like a wanderer white
 With the dew, come back, the cock on his shoulder: it was all
 Shining, it was Adam and the maiden,
 The sky gathered again
 And the sun grew round that very day.
 So it must have been after the birth of the simple light
 In the first, spinning place, the spellbound horses walking
 warm
 Out of the whinnying green stable
 On to the fields of praise.
 
 And honoured among foxes and pheasants by the gay house
 Under the new made clouds and happy as the heart was long,
 In the sun born over and over,
 I ran my heedless ways,
 My wishes raced through the house high hay
 And nothing I cared, at my sky blue trades, that time allows
 In all his tuneful turning so few and such morning songs
 Before the children green and golden
 Follow him out of grace
 
 Nothing I cared, in the lamb white days, that time would
 take me
 Up to the swallow thronged loft by the shadow of my hand,
 In the moon that is always rising,
 Nor that riding to sleep
 I should hear him fly with the high fields
 And wake to the farm forever fled from the childless land.
 Oh as I was young and easy in the mercy of his means,
 Time held me green and dying
 Though I sang in my chains like the sea.
 
 - Dylan Thomas.
 
 mvh
 Simon
 
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| #21685 - 17/10/2016 01:03  Re: Mellemrummet
[Re: RoseMarie] |  
| 
|   veteran
 | Registeret:  04/04/2008 Indlæg: 3512
 |  |  
| 
Fra en anden nobelprisvinder (1995), jakobiner fra barnsben grundet »Kidnapped« og som følte sig som en lille Atlas i den marvagtige gamle træstamme i hjørnet af gården, med gevirerne strakt mod himlen på sine små skuldre, her erindringspunktet der nok har fået drenge flest til at drømme sig ud på havet med kursen ret mod skatteøen, en historie heller ingen andre glemmer, ligesom man ikke glemmer digteren, fortælleren og jakobineren Seamus Heaney:    
 In the Attic
 
 I
 Like Jim Hawkins aloft in the cross-trees
 Of Hispaniola, nothing underneath him
 But still green water and clean bottom sand,
 
 The ship aground, the canted mast far out
 Above a sea-floor where striped fish pass in shoals –
 And then they’ve passed, the face of Israel Hands
 
 That rose in the shrouds before Jim shot him dead
 Appears to rise again … ‘But he was dead enough,’
 The story says, ‘being both shot and drowned.’
 
 II
 A birch tree planted twenty years ago
 Comes between the Irish Sea and me
 At the attic skylight, a man marooned
 
 In his own loft, a boy
 Shipshaped in the crow’s nest of a life,
 Airbrushed to and fro, wind-drunk, braced
 
 By all that’s thrumming up from keel to masthead,
 Rubbing his eyes to believe them and this most
 Buoyant, billowy, topgallant birch.
 
 III
 Ghost-footing what was then the terra firma
 Of hallway linoleum, grandfather now appears,
 His voice a-waver like the draught-prone screen
 
 They’d set up in the Club Rooms earlier
 For the matinee I’ve just come back from.
 ‘And Isaac Hands’, he asks, ‘Was Isaac in it?’
 
 His memory of the name a-waver too,
 His mistake perpetual, once and for all,
 Like the single splash when Israel’s body fell.
 
 IV
 As I age and blank on names,
 As my uncertainty on stairs
 Is more and more the lightheadedness
 
 Of a cabin boy’s first time on the rigging,
 As the memorable bottoms out
 Into the irretrievable,
 
 It’s not that I can’t imagine still
 That slight untoward rupture and world-tilt
 As a wind freshened and the anchor weighed.
 
 - Seamus Heaney, Human Chain, 2010.
 
 mvh
 Simon
 
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